Difference between revisions of "Fairwood Patchwork"

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(season 22 election update)
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'''{{PAGENAME}}''' is a pitcher for the [[Baltimore Crabs]], and has been with the team since the [[Season 22#Election Results|Season 22 elections]]. Patchwork has played for the [[Seattle Garages]].
 
'''{{PAGENAME}}''' is a pitcher for the [[Baltimore Crabs]], and has been with the team since the [[Season 22#Election Results|Season 22 elections]]. Patchwork has played for the [[Seattle Garages]].
  
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Patchwork was traded to the [[Baltimore Crabs]] in exchange for [[Michelle Sportsman]] during the [[Season 22#Election Results|Season 22 elections]] via the Breath Mints' [[Season 22#Wills|'''Equivalent Exchange''']] will, becoming a lineup player in the process. Patchwork also became an {{ModLink|Alternate}} and gained the {{ModLink|Negative}} modification due to the [[Season 22#Blessings|'''Handful Alternate Trust''']] blessing.
 
Patchwork was traded to the [[Baltimore Crabs]] in exchange for [[Michelle Sportsman]] during the [[Season 22#Election Results|Season 22 elections]] via the Breath Mints' [[Season 22#Wills|'''Equivalent Exchange''']] will, becoming a lineup player in the process. Patchwork also became an {{ModLink|Alternate}} and gained the {{ModLink|Negative}} modification due to the [[Season 22#Blessings|'''Handful Alternate Trust''']] blessing.
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==Player History==
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{{Community Lore}}
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===A Forest Fae’s Found Family===
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Fairwood Patchwork is a fae who represents The Forest that makes up the upper-outfield of [[The Big Garage]]. No one is entirely certain how long Patchwork has lived within the Grove, in large part because Patch does not perceive linear time in the same way the majority of humans and human-adjacent creatures do. However, {{RandomPronoun|lower|subject|has|have|save=true|table={{User:FAE/beegpronountableclone}}}} referred to spending time with both [[Bennett Browning]], and [[Derrick Krueger]], so {{RandomPronoun|lower|subject|has|have|save=true|table={{User:FAE/beegpronountableclone}}}} been a fixture of The Forest since at least Season 3.
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Fairwood Patchwork’s gender identity--and consequently, pronouns--shift to mirror that of the observer. Therefore, to teammate [[Mike Townsend]], Patchwork appears masculine. When talking with [[Wyatt Mason X]], xe uses xe/xem exclusively, and while having conversations with [[Betsy Trombone]], Patchwork identifies as A Problem. This article reflects the pronouns that Patchwork has most recently mirrored.
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Patchwork does not consider {{RandomPronoun|lower|reflexive|save=true|table={{User:FAE/beegpronountableclone}}}} much of a vocalist, but plays a wide variety of instruments, ranging from Banjo, to Bone-flute (Vulture), to a self-carved hand-harp, to Bone-Flute (Mammoth).
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{{RandomPronoun|upper|subject|is|are|save=true|table={{User:FAE/beegpronountableclone}}}} an exceptional crafts-fae, and sews all {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} own clothing, including the cloak of flannel {{RandomPronoun|lower|subject|sports|sport|save=true|table={{User:FAE/beegpronountableclone}}}} whenever {{RandomPronoun|lower|subject|takes|take|save=true|table={{User:FAE/beegpronountableclone}}}} the field. Sewn together from the upcycled remains of a myriad of fabrics, the brightly colored cloak makes a dramatic statement whenever {{RandomPronoun|lower|subject|takes|take|save=true|table={{User:FAE/beegpronountableclone}}}} to the field. {{RandomPronoun|upper|subject|has|have|save=true|table={{User:FAE/beegpronountableclone}}}} also taken to repairing the myriad of holes in the team’s garments. If there’s one thing grunge anarcho-communists are good at, it’s getting clothes filthy and torn. No matter how frequently seams are blown or knees torn out Fairwood is always available with a smile and a needle and thread. Patches tend to not mesh perfectly with the original design, but the occasional garish hues tend to enhance the team’s ramshackle vibes. Though {{RandomPronoun|lower|subject|does|do|save=true|table={{User:FAE/beegpronountableclone}}}} not mend for free, {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} payments are minimal, and tailored to each request. {{RandomPronoun|upper|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} work is most frequently done for the cost of an oddly shaped pebble, a bag full of litter disposed of properly, or a story told at her side while {{RandomPronoun|lower|subject|works|work|save=true|table={{User:FAE/beegpronountableclone}}}}.
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===Season 21,  Day 57===
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Patchwork first appeared in response to a tragic showing from pitcher Betsy Trombone. As the tenth run sailed into the trees, and the second digit lit up upon the scoreboard, the ball was returned to the field, held like some holy relic by the ethereal figure from the forest. {{RandomPronoun|upper|subject|approached|approached|save=true|table={{User:FAE/beegpronountableclone}}}} the pitcher's mound, still holding the ball, and cleared {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} throat. “I wish to play [[Blaseball|The Splort]].” {{RandomPronoun|lower|subject|announced|announced|save=true|table={{User:FAE/beegpronountableclone}}}}. Betsy rolled her eyes, said something profane, and stomped their way to the dugout to let this new player have a chance.
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===Life in The Garage===
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There is some amount of friction between Patchwork and accidental-team captain [[Theodore Duende]]. Fae of the Forests and Fae of the Home are well known rivals, and as a Duende, Theodore has been slow to trust the team’s new player. However, his plan of “Nobody make eye contact and he’ll just go away” appears to be failing miserably, and it’s hoped that they’ll both come around eventually[citation needed].
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Fairwood has returned to {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} Grove within The Forest on multiple occasions, leaving only with cryptic messages regarding {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} eventual return. On the first of such journeys, [[Mcdowell Karim]] took {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} place on the mound. Upon {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} return, {{RandomPronoun|lower|subject|declared|declared|save=true|table={{User:FAE/beegpronountableclone}}}} that The Stalk Market Greenhouse was not large enough, and has taken to expanding the rooftop garden that once belonged to Paula Turnip, and can frequently be seen sleeping amongst the flowering plants and [[Lotus Mango|Lotii]]. Curiously, after each time {{RandomPronoun|lower|subject|has|have|save=true|table={{User:FAE/beegpronountableclone}}}} left for The Grove, {{RandomPronoun|lower|subject|returns|return|save=true|table={{User:FAE/beegpronountableclone}}}} to tell of differing conversations with various Garages. {{RandomPronoun|lower|subject|claims|claim|save=true|table={{User:FAE/beegpronountableclone}}}} Derrick Kruger is teaching {{RandomPronoun|lower|object|save=true|table={{User:FAE/beegpronountableclone}}}} how to pitch better, though given {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} casual disregard for past, present, and future tense, what is truly going on in The Forest Grove is anyone’s guess.
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When interviewed for “The [[Seattle Garages Lil' Roadies|Lil' Roadies]] Lil' Morning Show”, Pulitzer Prize Winning Journalist Abigail Funke (Age 9) asked Patchwork to describe what drew {{RandomPronoun|lower|object|save=true|table={{User:FAE/beegpronountableclone}}}} to Blaseball in the first place. The fae explained that {{RandomPronoun|lower|subject|had|had|save=true|table={{User:FAE/beegpronountableclone}}}} learned to play The Splort in {{RandomPronoun|lower|adjective|save=true|table={{User:FAE/beegpronountableclone}}}} discussions with Derrick Krueger, and expressed distress at the idea that he was “Gone forever”. Later in the interview, Mz. Funke asked what Patchwork’s favorite food was, to which {{RandomPronoun|lower|subject|responded|responded|save=true|table={{User:FAE/beegpronountableclone}}}}: “The discomfort of people who leave things in the woods”
  
 
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Revision as of 19:30, 9 July 2021

New Player
This player was recently called up to the ILB. If you would like to write lore, please put it on the Talk page for community discussion.

Fairwood Patchwork is a pitcher for the Baltimore Crabs, and has been with the team since the Season 22 elections. Patchwork has played for the Seattle Garages.

Official League Records

Patchwork joined the ILB as a player in the Shadows for the Seattle Garages as the Garages' Season 20 Underbracket Playoff Birth.

On Season 21, Day 57, Patchwork joined the Garages' pitching rotation in exchange for Betsy Trombone as a result of The Hotdogfingers Memorial Climate Pledge Garage and Parking Facility's Fax Machine. On Day 81, Patchwork retreated to the Garages' Shadows in exchange for Mcdowell Karim via the Fax Machine. On Day 96, Patchwork rejoined the Garages' pitching rotation in exchange for Arturo Huerta, again via the Fax Machine.

Patchwork was traded to the Baltimore Crabs in exchange for Michelle Sportsman during the Season 22 elections via the Breath Mints' Equivalent Exchange will, becoming a lineup player in the process. Patchwork also became an Alternate and gained the Negative modification due to the Handful Alternate Trust blessing.

Player History

COMMUNITY REPORTS
The remainder of this article contains lore created collaboratively by the Blaseball community.

A Forest Fae’s Found Family

Fairwood Patchwork is a fae who represents The Forest that makes up the upper-outfield of The Big Garage. No one is entirely certain how long Patchwork has lived within the Grove, in large part because Patch does not perceive linear time in the same way the majority of humans and human-adjacent creatures do. However, py has referred to spending time with both Bennett Browning, and Derrick Krueger, so py has been a fixture of The Forest since at least Season 3.

Fairwood Patchwork’s gender identity--and consequently, pronouns--shift to mirror that of the observer. Therefore, to teammate Mike Townsend, Patchwork appears masculine. When talking with Wyatt Mason X, xe uses xe/xem exclusively, and while having conversations with Betsy Trombone, Patchwork identifies as A Problem. This article reflects the pronouns that Patchwork has most recently mirrored.

Patchwork does not consider pylxself much of a vocalist, but plays a wide variety of instruments, ranging from Banjo, to Bone-flute (Vulture), to a self-carved hand-harp, to Bone-Flute (Mammoth).

Py is an exceptional crafts-fae, and sews all pylx own clothing, including the cloak of flannel py sports whenever py takes the field. Sewn together from the upcycled remains of a myriad of fabrics, the brightly colored cloak makes a dramatic statement whenever py takes to the field. Py has also taken to repairing the myriad of holes in the team’s garments. If there’s one thing grunge anarcho-communists are good at, it’s getting clothes filthy and torn. No matter how frequently seams are blown or knees torn out Fairwood is always available with a smile and a needle and thread. Patches tend to not mesh perfectly with the original design, but the occasional garish hues tend to enhance the team’s ramshackle vibes. Though py does not mend for free, pylx payments are minimal, and tailored to each request. Pylx work is most frequently done for the cost of an oddly shaped pebble, a bag full of litter disposed of properly, or a story told at her side while py works.

Season 21, Day 57

Patchwork first appeared in response to a tragic showing from pitcher Betsy Trombone. As the tenth run sailed into the trees, and the second digit lit up upon the scoreboard, the ball was returned to the field, held like some holy relic by the ethereal figure from the forest. Py approached the pitcher's mound, still holding the ball, and cleared pylx throat. “I wish to play The Splort.” py announced. Betsy rolled her eyes, said something profane, and stomped their way to the dugout to let this new player have a chance.

Life in The Garage

There is some amount of friction between Patchwork and accidental-team captain Theodore Duende. Fae of the Forests and Fae of the Home are well known rivals, and as a Duende, Theodore has been slow to trust the team’s new player. However, his plan of “Nobody make eye contact and he’ll just go away” appears to be failing miserably, and it’s hoped that they’ll both come around eventually[citation needed].

Fairwood has returned to pylx Grove within The Forest on multiple occasions, leaving only with cryptic messages regarding pylx eventual return. On the first of such journeys, Mcdowell Karim took pylx place on the mound. Upon pylx return, py declared that The Stalk Market Greenhouse was not large enough, and has taken to expanding the rooftop garden that once belonged to Paula Turnip, and can frequently be seen sleeping amongst the flowering plants and Lotii. Curiously, after each time py has left for The Grove, py returns to tell of differing conversations with various Garages. py claims Derrick Kruger is teaching pyl how to pitch better, though given pylx casual disregard for past, present, and future tense, what is truly going on in The Forest Grove is anyone’s guess.

When interviewed for “The Lil' Roadies Lil' Morning Show”, Pulitzer Prize Winning Journalist Abigail Funke (Age 9) asked Patchwork to describe what drew pyl to Blaseball in the first place. The fae explained that py had learned to play The Splort in pylx discussions with Derrick Krueger, and expressed distress at the idea that he was “Gone forever”. Later in the interview, Mz. Funke asked what Patchwork’s favorite food was, to which py responded: “The discomfort of people who leave things in the woods”