Difference between revisions of "Ron Monstera"

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{{Player|title1=Ron Monstera|team=Seattle Garages|rating=1.5}}
 
{{Player|title1=Ron Monstera|team=Seattle Garages|rating=1.5}}
  
'''Ronbert Kim Monstera''', also known as "RONNIE SHUT EM OUT", is a left-handed pitcher for the [[Seattle Garages]], as well as the keyboard bass player for the [[Seattle Garages Family Band|The Garages]]. Despite a mediocre statistical output, he is often credited with helping the Garages maintain a winning record for most of [[Season 2]] following a shutout victory against the heavily-favored [[Miami Dalé]]. He's also a contributing editor to ''[[THE SUN IS OUR ENEMY]]'', the Garages' official zine.
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'''Ronbert Kim Monstera''', also known as "RONNIE SHUT EM OUT", is a left-handed pitcher for the [[Seattle Garages]], as well as the keyboard bass player for the [[Seattle Garages Family Band]]. Despite a mediocre statistical output, he is often credited with helping the Garages maintain a winning record for most of [[Season 2]] following a shutout victory against the heavily-favored [[Miami Dalé]]. He's also a contributing editor to ''[[THE SUN IS OUR ENEMY]]'', the Garages' official zine.
  
 
== Music ==
 
== Music ==

Revision as of 07:42, 2 August 2020


Ronbert Kim Monstera, also known as "RONNIE SHUT EM OUT", is a left-handed pitcher for the Seattle Garages, as well as the keyboard bass player for the Seattle Garages Family Band. Despite a mediocre statistical output, he is often credited with helping the Garages maintain a winning record for most of Season 2 following a shutout victory against the heavily-favored Miami Dalé. He's also a contributing editor to THE SUN IS OUR ENEMY, the Garages' official zine.

Music

RKMproject - DARKN-S2:OFFSEASON, runtime: 17:30

During the enforced #PARTYTIME following Season 2, Monstera released an LP under the name RKMproject. He describes the project as "an electroacoustic exploration of chillwave stylings." The LP, DARKN-S2:OFFSEASON, was created by inverting hellwave energies from the newly developed hellmouth regions into a dark, wet amplifying substrate. The experimental result was described as "oppressive, but fair" by fellow pitcher Tot Clark.