Difference between revisions of "Ron Monstera"

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== Released Music ==
 
== Released Music ==
[[File:RkmLP-cover4.png|thumb|280x280px]]
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[[File:RkmLP-cover4.png|thumb|280x280px|alt=|RKMproject - DARKN-S2:OFFSEASON, runtime: 17:30]]
During the offseason following [[Season 2]], Monstera released an LP under the name 'RKMproject' that he describes as an electroacoustic exploration of chillwave stylings. This LP, titled DARKN-S2:OFFSEASON was created by inverting hellwave energies from the newly developed hellmouth regions into a dark, wet amplifying substrate. The experimental result was described as "oppressive, but fair." by fellow pitcher [[Tot Clark]].  
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During the enforced [[Party Time|#PARTYTIME]] following [[Season 2]], Monstera released an LP under the name 'RKMproject' that he describes as an electroacoustic exploration of chillwave stylings. This LP, titled DARKN-S2:OFFSEASON was created by inverting hellwave energies from the newly developed hellmouth regions into a dark, wet amplifying substrate. The experimental result was described as "oppressive, but fair." by fellow pitcher [[Tot Clark]].  
 
[[Category:Players]]
 
[[Category:Players]]

Revision as of 18:57, 1 August 2020


Ronbert Kim Monstera, also known as "RONNIE SHUT EM OUT", is a left-handed pitcher for the Seattle Garages, as well as the keyboard bass player for the Seattle Garages Family Band. Despite an arguably completely mediocre statistical output, he is often credited for putting the Garages on a winning record for most of Season 2, following a shutout victory against the heavily favored Miami Dalé. He's also a contributing editor to "THE SUN IS OUR ENEMY", the Seattle Garages' official zine.


Released Music

RKMproject - DARKN-S2:OFFSEASON, runtime: 17:30

During the enforced #PARTYTIME following Season 2, Monstera released an LP under the name 'RKMproject' that he describes as an electroacoustic exploration of chillwave stylings. This LP, titled DARKN-S2:OFFSEASON was created by inverting hellwave energies from the newly developed hellmouth regions into a dark, wet amplifying substrate. The experimental result was described as "oppressive, but fair." by fellow pitcher Tot Clark.